The Karachi Literature Festival (KLF), one of Pakistan’s most anticipated cultural events, is back for its 15th edition. Scheduled from 16 to 18 February 2024, at the prestigious Beach Luxury Hotel in Karachi, the festival promises to be a vibrant celebration of literature, art, and intellectual discourse. Under the theme of ‘Sustainability: Words changing Mindsets,’ the 15th KLF will feature over 200 local and international speakers representing 8 countries participating in 75 sessions covering a diverse range of topics including literature, economy, environment, education, and current affairs.
Additionally, guests can expect 25 book launches alongside engaging activities such as drama, satire, exhibitions, film screenings, and various artistic expressions.
The inaugural event on Friday16 February, will be open to the public and will include keynote speeches by renowned figures such as Pakistani architect and activist Arif Hasan, as well as British-Palestinian lawyer and writer Selma Dabbagh, followed by a performance on Faiz’s poetry by the talented Nighat Choudhry. Over the weekend, KLF will host distinguished speakers including Jordanian academic Joseph Massad, political scientist Dr. Martin Axmann, and award-winning journalist Hasnain Kazim, acclaimed novelist and writer Mohsin Hamid, French journalist and novelist Kenize Mourad, fiction writer Claire Chambers, poets Michael Cirelli and Ronya Othman, poets ZehraNigah and Kishwar Naheed, short story writer Noorul Huda Shah, and novelist Bina Shah among others.
There will be sessions on Urdu poetry, sustainability, political reforms, and a grand Mushaira presided over by the legendary Iftikhar Arif. KLF offerings will feature insightful discussions on books, ethical governance, urban dynamics, comedy, storytelling, human rights, and sustainability offering guests a rich tapestry of intellectual engagement. The much-awaited book of Maleeha Lodhi titles “Pakistan: Search for Stabilty” published by OUP will be launched. A special homage to the Madam Noor Jehan in a session aptly titled “Noor Jahan Suroor Jahan”.
